Notes on the Use of Census Data,  Anecdotal Information and Strange Factoids Return to INDEX


Archaic Occupations
Genealogy Terminology and Definition
Index of Cox and Manuel Related Records in the South Carolina Archives
North Carolina Archives Holdings

South Carolina Archives Summary Holdings:

Barnwell
Cheraws District
Florence County
Georgetown
Marion
Marlboro
Sumter
Williamsburg

South Carolina County Archives:
Allendale
Barnwell
Fairfield
Florence
Georgetown
Horry
Kershaw
Marion
Marlboro
Sumter
Williamsburg


South Carolina Genealogy Libraries -- Georgetown, Marion and Sumter Counties

Notes on the Use of Census Data

Several comments will help in understanding the research that appears in these pages.

--describes process for establishing relationships among people.

--describes use of census data, but need for critical cross checks and realistic interpretation.

--describes O.S. / N.S. calendars

--describes where ancedotal information is used.

Surname Origins
Cox1
Main1
Main2

Cox Family Anecdotes & Folklore

I remember hearing several interesting "legends" about the Cox family during my childhood.  These included the supposed distant relationship to Indian princess Pocohantas; the reputed relationship to the famous English painter George Stubbs; and baseball player Willie Mayes having been a young student of school teacher Vivian Cox.

The opportunity arose during my research on the Stubbs family to examine the first two stories.  Concerning Pocohantas, there is the remote possibility that a connection could exist through the marriage of Lurenia Stubbs
(1851 - after 1870) to William Julius McRae (1842 - after 1870), or through the marriage of Thoroughgood P. Stubbs (1836 - >1880) to Sally Ann McRae (1846 - >1880).  Certain branches of the McRae family do connect to the descendants of Pocohantas; however, this relationship would be indirect, and is only a theoretical possibility linked through the McRae genealogy.  Lurenia and Thoroughgood Stubbs were siblings of my great-grandmother Martha F. Stubbs.  Likewise, the supposed link to landscape and horse painter George Stubbs appears to be without any merit; the relationship exists only in name.  There is no evidence that Willie Mayes was ever a student of Vivian Cox; it is essentially impossible, since schools were racially segregated during the period when Mayes was of school age.

On the other hand, no especially infamous people emerged during these studies, either.  The oldest Cox, Pate, Manuel and Main families produced people whose lives mirrored much of what typically concerned 18th America, namely agriculture.  This continued throughout the 19th century, with an occasional merchant, cooper, wheelwright or blacksmith added to the parade of those whose lives involved agriculture.  Judging from census records, some of these 19th century families owned considerable land, and  perhaps lived comfortable or even well-to-do lives; however, most appear to have been much more modest, and worked in agriculture as did most Americans of their time.

Poignantly, the Civil War took many of the men who were born in the 1820s through 1840s from their homes, in several cases they died in battle, in prison or in hospitals.  Others returned, lived their lives and had their gravestones marked "Confederate Soldier".

The 18th and 19th century immediacy of death is difficult to comprehend by today's standards.  Early deaths affected many of the families in this study, and a casual reading shows that most experienced the early loss of either a child, a parent or a sibling.  Few effective medical therapies were available even through the early 20th century; the travails of physical suffering must also have been particularly acute.
 
Strange Factoids

Several curiosities arose during completion of this research...

The very obscure town of Moultrie, GA, which became the final home of Charles Henry Cox, was mentioned in a play John and Lo-An attended in December 2002 at Arena Stage in Washington, D.C.  The play was "Ma Rainey's Black Bottom",  and was set in 1930s Chicago.  Not surprisingly, Moultrie had absolutely no significance in the play!

The family of Arthur Burgess Kennedy has three sets of twins.

The generational distribution...
6 (3f + 3 m)
3 (1f + 2m)
14 (8f + 6 m)
15 (6f + 9 m)
48 (22f + 26m)

A variety of marriages between first cousins occurred.